And but so....

Wednesday, August 30, 2006

the Bleeder

The Bleeder is not a man prone to discuss minor topics with folks. He is aware of his limitations, and he is a careful man. His neighbors regard him as praise-worthy, but they are somewhat nervous in his presence. His only defect is that he bleeds at the slightest irritation. Sometimes even words can make his capillaries burst. The harsh consonants of someone speaking German are especially traumatic for him. The Bleeder writes poems in his spare time and enjoys salt & vinegar flavored potato chips. It is said that his father never uttered a single word to him inside the walls of their home and that his mother was the snow white dove of which Hank Locklin once sang. The Bleeder could not be reached for comment, but it is reported that he recently planted a small garden behind his house, okra and bell peppers, mostly.

poem 777

I am drawing up music for
Watching the end of time.
You know, when women begin
To radiate up into the clouds
And spigots and turnstiles
Disappear with a pop and
drawn fsssttt not unlike okra
Dropped in hot bacon drippings.
I am painting my face to
Meet our makers for a game
Of Cowboys and Indians,
And I'd like to think that
The right team wins above the sky.

Toothbrushes are wilting,
Spoons flare up in a white light,
Slapping out a joyous tintinnabulation
On the backsides of stern kettles
And collanders and the rims of champagne flutes.
Keyrings float by dancing,
Their jagged smiles hiding nothing,
Not even metaphors.

The wineboxes have yet to be stuffed
With peppery Rhones, the picnic basket
Has sprung a leak, and my old lady
Left me for some new paper religion.
Yet already I hear those trumpets
splitting the night!
There's nothing left to do but
Stick a mockingbird feather in my temple
And dance this last Rain Waltz
Thirsty and alone.

One the Hard Way

Firefighter Maureen McArdle-Schulman recalled hearing someone yell before the collapses that something was falling from the towers.
"It turned out it was people coming out, and they started coming out one after the other," she said. "We didn't know what it was at first, but then the first body hit and then we knew what it was."
"I was getting sick. I felt like I was intruding on a sacrament. They were choosing to die and I was watching them and shouldn't have been. So me and another guy turned away and looked at a wall and we could still hear them hit."

I don't know what people think anymore. I don't know if people even really do think, if you know what I mean. One thing I do know is you can't carry this shit around; it's no monkey on your back, it's a goddamned Acme safe straight from the cartoons. It'll flatten you quick, your Wil E. Coyote ass becomes two-dimensional. I couldn't watch the news for over a year after that shit. I wanted to hear something good, like Lassie saved Timmy from drowning in a well, but it's all just more death and shit, mierda. People in Wisconsin, people in Georgia, sure, they felt emotions, right?, but I saw charred flesh, I saw fucking human beings fall from the sky. I want people to get this, remember it like I do, and that doesn't happen with a fucking granite memorial sculpture in Manhattan. I don't know how it does happen, but Jesus, I need for people to know.

I lost a few friends that day, people I worked with, lived with for years, with their fucked up habits and their fucked up clothes and their fucked up tastes. But these friends were only doing what we get paid to do, and most of us love to do. It's no goddamned joyride to walk around a room with a temp of around 500 degrees plus Fahrenheit toting 80 pounds of gear, but you get in it and the shit you learned just kicks in. Trust your instincts, trust your equipment and save some fucking bodies. Not that day, my friend. We just got killed, fucking bombarded.


I never even got in the tower. I was on a crew setting water lines, and just like that Rikkert yells, "debris falling!" and we all look up, and fuck if it's not a human being, a real live living fucker spending the last moments of his life as a reminder that the acceleration of gravity is 32 feet per second squared. We watched him become a fucking human omelet, and we cried. I won't even tell you about the firemen who died; it's just too fucking hard.

You'd think it might be easier to go back to work the next day if you know you might never see the horror of the day before, right? You'd be dead wrong. Twelve dead on our squad from smoke inhalation. Four crushed in the rubble of the collapse, not even a body for a funeral. The same fuckers whose tastes and clothes I couldn't stand, I think about every night until the booze and the Valium kicks in, and I no longer want to jump from a flaming tower myself. You'd think four years might put some gulf or moat between yourself and your self-loathing and inability to save a single goddamned soul from frying to death 800 feet above you, and you'd be wrong again. And you would turn to something for escape, or you'd go bat-shit crazy, and then where are you? My girl left me about six months after the attacks, and I loved her more than anything, but I don't even think about her. At all. She deserved better than a shell of a man, and right now I'm not even that. I don't want to sap someone else's life of decency, I just want these memories to go away, and if you live like that, you can damn well expect to see your woman walk out the door. Fuck it, I go to work 4 shifts a week, 18 hours a shift. I put out fires, I administer CPR at pools and weddings and bat mitzvahs, I even pull cats out of trees like some Norman Rockwell bullshit, but what I don't do is forget. Drink as I might, I can't. And I won't, because of all the people who died, some right smack on the ground in front of me. It's four years now, but it's every goddamned day.

searching

We were looking underneath the couch for something I can no longer recall, maybe it was money or a hairbrush, maybe a book on herbal remedies, the remote control, a bottle of pills, a telephone number on a restaurant napkin, maybe the key to a giant safe that held all of her favorite colors and words and family members and a never-ending cache of Thai spring rolls with hot mustard dipping sauce, maybe it was the Vice President whose name no one remembers that disappeared on Arbor Day (which falls on a day in a month I can not remember), or a balsa wood model airplane, a ceramic beetle with a secret cavity for hiding valuables, maybe that little chunk of the moon that fell on my grandfather’s head when he was stationed in Korea, or maybe it could have even been her silver spoon; the point is, as it turned out, we were searching mightily, but in vain.

So with a wafting, decorous sigh, she dropped her end of the couch and said We’ll never find the goddamned thing here underneath this couch which is a place were we always look for lost damned things but never seem to have any luck, so blast it all, I think I’ll play some music. Then she went and fetched her beautiful golden harpsichord, and she played a spontaneous toccata that lasted for two days and produced such vibrant and angelic and resonant melodies that at the end of the second day the harpsichord dissolved into a heap of fine golden ash, and she stumbled over to me weeping tears of insolent pride, and we made quiet, sweaty love on the floor by the couch for another two days until she fell asleep in my arms, the lost thing now completely forgotten (only to be remembered some distant Tuesday morning when lost things regain their importance in the lives of their possessors and become inevitably necessary, and normal, intelligent people begin searching in bathroom drawers, freezer compartments, underneath couches and other unlikely places for such said lost things).

And myself, I held this beautiful girl, whose name I can not remember, with her beautiful, resonant melodies, and her pile of fine golden ash, and I thought out loud to God or anyone who might be listening, how long will it be before one of us walks out into the freedom of midnight, heading for some town or person North or maybe Northwest of here; and I thought to myself how long will the memory of this beautiful and fine and vibrant four days last?

Hangover w/ quiet footsteps

I make you
You make me
Naked
In squares
In selfless colors in the air
In sound composition
Blurring scape
A note so long
So low, so sweet

My endorphin
My Morning Glory seed.

Song of Faithless Street

The Song of Faithless Street
Stay
Stay with me in this car, engine still running
I hope you feel welcome

Or we could have some whiskey
Find a sepia-tone bar almost as quiet
As the night around us

I could read you a poem
Or maybe cup your breast in my hand.

Ceslaw

Ceslaw is not as dumb as you think
There are two different worlds, you know? Yes, yes, you know. Like strip clubs. When you are in, you are in, you can slap the dancers on the ass, you can spill drinks. But if you are not in, the nigger at the door will hurt you. This is never good. You have seen rap videos, eh? I do not like the intrinsic violence of the nigger. But, see? I am in. In Estonia, I killed a cab driver who talked too much. My cousin said I would be good in America, and I love strip clubs. I have muscles and brains and I have Dakota who will suck me and share my cocaine. My cousin is a jeweler, and he is a killer.

My apartment in America, in San Jose, is vast. I share a room with no one, unlike Estonia, where I could not masturbate without an audience. My apartment has posters for visual entertainment, Michael Jackson when he Beat It, and Michael Jordan who is unstoppable. Think about that. Michael Jordan can shake your faith. He is a good nigger. I want to know why Americans hate them so, the niggers, because they are all the place has to offer other than the strip clubs. Even the cab drivers refuse to pick them up. In Estonia, Michael Jordan could get a cab. In Estonia, we do not hate niggers, only people who snitch.

I am only hitting that man because my cousin pays for my vast apartment. It is not ugly, and I am sure he needs hitting. My cousin would not lie to me, he is a jeweler. Have you ever not wanted to feel your body? I don't want to feel my body when I hit people for my cousin. I love my apartment when I am alone, I love both Michaels, and I love America.

In Estonia I drove a cab, and I watched out for my family. I am blessed with muscles and pain does not come to me. I do not know how my family has made America it's new home. I only know that I have been called, and I am not afraid. My cousin has blessed me with a vast apartment, and many strippers suck me off at the club he frequents. He says Such are the spoils of wealth, Ceslaw. I laugh and I do my cocaine with Dakota. Sometimes I have to hit the people my cousin tells me to. It is a job. America is a neon sign.

Sunday, August 06, 2006

skin of my skin

My nails have become
one with the dirt, black-rimmed and unsociable,
although I can not
recall what I dig for
with any certainty.
It is a fine thing to
commune with the dirt.
Wealthy and sinuous I feel,
but these aren't the words.
The loam doesn't afford
one time for definition,
so I claw on.
I'd like to find her bones
and some remonstrance.

carotid


The blanket stills smells like you, like dying angels and upturned coffee cups. I made crisp lines of delineation when I folded it and placed it in the bottom of the closet. The blanket was a source of your refusal, you needed it in nights when I needed something more than plagiarism. And now the apartment sits without adjectives; it smiles over and upon a great lack of things and more so; being a part of something. I have my memories of quilts and stained sheets. My memories of sleeping in the back of that pick-up, then fighting your father. I even remember when you said you'd take care of me and we both laughed as Leonard Cohen played in the backgound. I remember there was a me before you, but he is awfully cloudy and quiet.

Monday, May 29, 2006

the room is baring its teeth

This is an exercise in blankness. The angles of the bare room stand out and compute. There is a certain western loneliness in every ninety degrees, so I invert. I consume. Out the window, across the verdant hill, a light flickers. It holds some meaning. Someone in that room twists his allegory, defines his scope. I wonder what he lists and where his crumpled notations will end up. This is an exercise in doubt, a belief in serried numbers. This is an erasure. This is an exercise in blankness.

Monday, May 15, 2006

and on

I got creosote lightning footprints
I got a finger, cracked and leering in
it's own solopsism.
I got a hundred yard stare
I got anodyne jumpers
I got frostbitten aunts
I got the devil's paw in my ass pocket
next to a pint of Turkey.
I got some ugly roads
I got a dollar dinner
I got that love note from Erica Jong.
I got a salvation plate with no army
I got the last sleeper's wink.
I got a denial letter, and a sloppy wish
I got four flowers, colors
and a plethora of indecency.
I got to see you fall, wish
I wore your shoes.

The waitress who played the poet like a cheap violin, and revisited

Emily, I am drowning in the miasma

of being

and i wanted to tell you

how lovely most things are

but

I think the poison has

eaten my voice.



Emily, I am wax, I am clay.

The gloam reaches over dusted remembrance,

The fire is dying in poems of calibrated light.

Lumenescence for failed generals, a signpost

Like a drunken scarecrow. Emily,

I am the direction of silence.

Wednesday, May 03, 2006

Saint Joseph

I woke up early and traced

The ridge of your cheek

With my finger, letting it brush

Under the fine lashes of your eye.

I wanted to press my lips

Behind your ear and tell you the

Story of Tristan and Isolde,

Taste your downy skin with

Whispers, but your sleep

Was too immaculate

To touch with words or kisses.

Sunday, April 30, 2006

A long time ago I wrote this for a girl I had met, but thought I'd never see again...

We stayed in the hotel long enough
For me to see you change clothes.
Naked, you gave me, then, a Chesire smile.
I think you were not embarrassed.

We broke fast at noon,
In a bar called Toonis'.
You had grapes stolen from the lobby,
An egg sandwich with mustard, and then beers.
I had water, a single malt Scotch, then another.
Miles Davis was on the juke box,
George Jones, Janis Joplin, and Albert King.
We listened, after arguing, to Buddy Guy,
And I kissed you behind the ear.
You slapped me and giggled.
Coyly, I think.

A brown cat with azure eyes settled beneath my stool,
And I rubbed her with the heel of my boot.
The light coming through the window on the far wall
Forced us to move to a table in the corner
Just shy of touching the incoming sun.
The bartender laughed at us making shadow puppets
And lit your cigarette
Even though he was across the room
When you pulled out a new one.
Without my knowing,
You took a picture of me and the bartender talking.
After we left, you told me you had stolen his cigarettes.

In the car we took Valium and Xanax for our heads.
You slept from Memphis to Oxford,
Missing the fruit of Autumn.
Going through Tupelo that Sunday morning,
I lusted through the driver's side window
At the beautiful, stricken girls
Mulling in front of their churches wearing
Heels and stockings, tugging the plaits of new dresses.
I prayed you wouldn't catch me,
But you snored, wearing my jeans and shirt
As if they were your own.

At a rest stop somewhere
Near the western border of Mississippi,
We stashed poems in every bathroom stall.
Before we left, you gave a decrepit old lady
In a wheelchair a necklace you had made.
You kissed her wrinkled face.
Her sister looked on with taut disapproval.

Monday, April 17, 2006

Museum of Natural Dipsomania

I get to saving shit, worthless artifacts, little pieces of paper with worthless words and such, and think that those papers and notes and such shit might make some difference later… some cleaving inside the coarseness or around it, make the savage nature a bit more…or maybe less , you know, austere. Maybe have a little peace and remembrance, maybe some good, some good. I got a fucking envelope from some letter that the girl who wore space sandals sent to me, lost the letter, but that envelope I still got, had it hidden in my dictionary for about 8 years and I can just look at the handwriting on it, the old address, the postmark from Opelika. I got the dollar bill Perry from Jane’s Addiction threw off the stage at that concert in Nashville, got all the ticket stubs from all the Cardinals’ games I ever went to, ‘cause nobody knows the fucking beauty of baseball anymore, just me and some dying New York Jews, they’re seventy years old or more and I just feel like it, what with the hundred thousand beers and all, but I got the fucking stubs and I’ll give up another wife and some more skin before I lose ‘em, and you can bet something big on that, something worthwhile, I mean it. I got some other silly shit, too, silly to you and maybe to me too, like books I read a hundred times, you know, books, those arcane relics that a few big city smartasses like to talk about to show just how fucking smart they are, like their who’s who list might make them a worthy and compatible lay… I read Eco in high school, babe, wanna fuck or should we do another line? I even have a big collection of records. Shit, I collect scars, or at least gather them whether I want to or not; they may be worthless too, but I always seem to come on a little more interesting after a new one, the girls go in for that shit, honey let me put some iodine on that, honey, you don’t want it to get infected… I get to saving shit like that for why I don’t know, except maybe I’m afraid I might drink away all the real memories, or if they make me sober off or up I won’t ever feel them real again like I do when I’m drunk and I piece them together on a trip, like how could I remember being a fucking child, waiting for my mother to wake up after about twenty shifts in a row, without the music I heard from that tinny little fucking AM alarm clock radio, blaring out Al Green and Bread and Santana and Teddy Pendergrass, sitting on the bed, staring at her sleeping body and waiting, or rifling through her purse for some change to go buy a fucking Slurpee and surprise her with a pack of smokes because they would sell them to seven year olds then, and she liked Benson and Hedges menthol light 100’s. A kid, right, or maybe not right, shit, maybe worse, I thought I was hot shit then, smart enough to fall for it when my uncle told me the best way to get over a sunburn was to take a fucking hot shower, and who’s hot shit after that? Yeah, I get to saving shit for what it’s worth, or is it worth anything, I don’t know, but I got it all, in cigar boxes, tucked in books, under the fucking mattress, on cassette tapes if you remember those, and other such fucking places, but I do believe I am running out of the necessary patience to remember where I put all of it, and don’t know if I care to keep on drinking up a syllabus of remembrance, or if any of it is at all worth the price of admission. After all, who likes museums anyways, none of them have the fucking courtesy to even have a bar in the lobby.

Fennel and Leek

Fennel drank Irish whiskey quickly from a plastic tumbler and smiled at his hands. Drunk on the brown, he often felt the urge to talk like an academic, full of pomp and periphrasticity. He read aloud a story from the Yale Review about lesbian painters in Mississippi. Leek was not impressed and tapped her fingers along the cracked white paint of the windowsill. She breathed a fog on a dirty pane. Outside, a stray yellow tom stalked a blowing leaf, proud and insolent over its predatory instinct. She dreamed of buying a royal feline, one that would thwart city ordinances and scare the townsfolk.

 “Well, you’d like to think these bastards might come up with something… I don’t know, intriguing, eh?” 
 “Fresh, darling. As would make a good juice; see also no discoloration or bruising…”
 “Still, this one startles a little, the idea of them down in the Belt, tongues on each other, with brushes….”
 “Ack.”
  No Response.
“You know what’s happening to ideas, baby? You know what happens to the printed word? Do you give two shits?”
 “And that is … what?” 
 “The halcyon days are gone. Meddlers killed the words, television took steroids and your precious fucking books were all burned in an ugly pyre.”
 “The fuck. What, why wasn’t I informed?”
 “Tenjem told you, but you were drunk. For several days, as I recall.”

  Christ’s sake, thought Fennel, it’s two in the morning and there is no one I can call. A trumpet is the thing, loud and reiterating. I am Chet Baker, revived and swollen, meeting the morn with this slow, dripping cacophony. Notes stretched out off the porch into the blackness, scaring off dogs and rodents in the night. Leek took some pills and slept on the couch, radiant as a dying angel, only partially covered by her favorite quilt. The house shuddered in it’s dilemma. The clocks staggered on. When the police arrived, he was deep into the Carneval dream; a Negress fellating him as he played an incoherent samba. I am becoming the heart of the city, the pitiless Saint of Martyrs and acrobats. These panther screams are for the younger ones, my lungs provide only the finest of shows. The silver trumpet lay wrecked and lifeless in the yard some distance from Fennel. He was curled and fetal on the porch steps; from the spit valve of the horn ran a rivulet of drool.

 Leek paced the garden, thinking of her soup in yonder kitchen. It will thicken, she said to her ocelot, tamed and envious. It will thicken. She trampled a bed of irises in a fit of revelation, or maybe just pique.

 Coming from the jail, Leek kissed Fennel lightly on the cheek and grasped his palm. Fennel felt thirsty and disoriented. He stared at a reflection of himself in some automobile’s window, and flinched. The mid-morning sun forced a haze of sweat from his body, and he reeked of whiskey. Leek gently pulled him away from the car and toward the taxi she’d kept waiting. I know you are sorry, she said. I know.

“Are you happy?”
 “I have my garden, my cat.”
 “Am I… happy?”
 “You’re asking me?” 
 “Well, I have things, too. But….”
 “No, you’re not. But your things keep you occupied. Me being one of those things, along with your books and that goddamned trumpet.”
 “Is this a good way to be? In place of happy, I mean?”
 “As long as you don’t get bored.”

 In the mirror, Fennel was indestructible, Nietzschean. He spoke to his drink in somber tones. I am not right. You there, cornered and meek Fennel, leave her tonight. Run away from this ammoniac cat-piss and mutual trust. Fennel staggered to the bedroom, leapt on the sagging mattress. I will, he chanted, the whiskey leaving brown ringlets on the sheets as it rained from his cup. Oh sweet, shitty, trembling Jesus, I will. I can’t, no… I will

 Leek met her doctor at a Southside bar. The casualness of their acquaintance frightened her; she might ordinarily flee his sidelong glances, but without his stentorian office, the menace faltered.
“I am thinking of Chicago, the L and the museums,” she said.
 “It’s awful goddamned cold.”
 “Yes, but he’s….” 
 “Have you been taking the medication?”
 “Yes. Mostly. Especially when he’s gone.”
 “May I buy you another drink?”
 “Won’t that counteract the pills?”
 “I wouldn’t know, I’m just a doctor. Besides you’re not taking them.”
 “I’m sorry, I think. And yes.”
 “Hmm.?” 
 “Yes you may buy me another drink. In case he comes home.”

 Fennel returned unannounced from a two week trip to visit his hooker friend in Oklahoma. Leek fixed his favorite breakfast, Tricolore Fritatta, and cried into her palms. They didn’t speak at first, merely brushing into each other in the hallways, full of lust and tepid hate. Fennel read books and often quoted from them, the ones he felt were weighted with Faulknerian tragedy. He bought a pistol and felt ugly. He left it on the counter to act as a symbol of his disgrace, but Leek did not let on that she noticed. The nickel-plated barrel and fat bullets did nothing for his confidence, and his courage failed miserably when he thought of using it on himself. He sold it to an elderly Jewish man in his mother’s apartment building. The Jew, Albert, sighted it down the hall, and faked a shot at the boys rolling dice over by the entrance. He brought the gun down to his side and smiled at Fennel, searching for alliance in his imaginary kill.
 “I’m just not comfortable around these niggers anymore.”
 Fennel peered down at the boys who were talking loudly over their game, then back at Albert and the pistol. His hands were cold and sweaty when he took the bills from the Jew, busy muttering some insipid hate to himself. Outside, the breeze felt calming, and he stood for a minute in the shade. The people in his life, with their meanness and fear, made him giddy and light. Fennel took the money and spent it on lottery tickets and booze. What do I have to lose?